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Hodnocené. / 5. Na základě hodnocení zákazníků
System 5 Digital Audio Mixing System User Guide174
Multi-Operator Console
System 5’s multi-operator post environment creates one large console that can operated by multiple engineers. In reality, each
section is a unique System 5 console, which supports a maximum number of channels per operator.
The Mix and Solo busses are normally linked across the consoles, while the Aux and Group busses are not. In a two-operator system,
one console usually handles the FX, and the other music and dialogue.
Only one console, designated the Master, uses its monitor matrix. Each operator has a Post Panel located in their section. Although
positioned near a particular operator’s surface, each panel is connected to the Master console network for access to the monitor
matrix.
Solo Linking
Although the consoles are almost entirely independent (i.e., file system, automation system, snapshots, group busses, etc.), the
solo system can be linked across consoles by connecting the System PCs using the unused Ethernet port. This can be done via
a small hub or a single crossover cable. Contact Avid customer support for more information.
Patching
The main patching issue for two-operator consoles is cascading the busses. This is done using the bus cascade inputs on the DSP
Frame.
To patch the Slave Console’s outputs:
1 In PatchNet>Console I/O, select the desired Bus Outputs.
2 Select the desired Frame output from the Destinations section.
3 Press Patch.
To patch the Master Console’s inputs:
1 In PatchNet>Sources, select the desired Frame inputs.
2 In PatchNet>Console I/O, select the Bus Cascade inputs.
3 Press Patch.
Connect a BNC cable between the designated ports on the slave and master consoles. We recommend storing these patches as
PatchNet Presets (see page 26).
- Legal Notices 2
- Documentation Feedback 2
- Contents 3
- Chapter 1: Introduction 9
- System 5 hardware diagram 10
- System 5 Startup Sequence 11
- About This Guide 12
- About www.avid.com 12
- Connect and Play a CD 13
- Sources page in PatchNet 14
- Cabling-MADI Out Ports 15
- Chapter 3: eMix Application 17
- Projects Window 18
- Titles Window 19
- New Title dialog 20
- Mixes Window 21
- Select Current 22
- Edit Notes 22
- Title Defaults 23
- Normalled Connections 24
- Meter Presets 24
- PatchNet 25
- Console I/O 26
- Sources and Destinations 26
- Mic-Line Interface Patching 27
- Sources Window 28
- (see figure below) 29
- Nuendo and mics patched 30
- Mix Bus Send/Return 31
- Monitor Patching 31
- Solo Bus and Utility Patching 31
- Talkback Signal Patching 31
- PatchNet Presets 32
- Externals 33
- Mixer Model 34
- Changing Sample Rate 35
- DF66 Properties MADI tab 36
- Folddown 37
- Diagnostics 39
- System 5 Wave Logo 40
- Auto Failover 40
- Control Panel 40
- View Log 40
- Console Operation Logging 41
- Channel Strip 43
- CM401T Master Module 45
- Monitoring 46
- Monitor Source Selection 47
- Control Room Monitor Controls 48
- Cal Level 49
- Communications 50
- Talkback 51
- Listenback 52
- Oscillator/Slate 53
- Listen, and Slate/Osc 54
- Solo Mode 55
- Solo Level 55
- Solo Clear 55
- Solo Speaker Selection 56
- Solo Speaker Dim 56
- Solo-Safe 56
- Backstop PFL 56
- Meter Configuration 58
- Master Section Meters 59
- Channel Select Panel 63
- Knobset Panels 64
- Knobset Control Panel 65
- Bus Routing Panel 66
- Main Channel 68
- Swap Channel 68
- Meter and Status Display 68
- Channel Assign Panel 70
- Bus Assign Panel 71
- Input Names or Channel Number 72
- Strip Utilities 73
- Strip Expand 74
- Strip Zone Select 74
- Spill Select 74
- Fader Unity 74
- Fader Meters 75
- Knob and Fader Text Displays 75
- Joystick Assign Mode 75
- Delay Display Modes 76
- Aux View Enabled 76
- Knob Touch Enabled 76
- Channel Control Features 77
- All Mode 79
- Link Key 79
- Copy and Paste 79
- Talk (S5B Only) 79
- Channel Patch Points 81
- Channel Processor Order 82
- Insert Point 82
- Channel Functions 83
- Analog Controls 84
- Page keys display 84
- Input B and Signal Processing 84
- In/Out pages 84
- Digital Controls 84
- Stereo Controls 86
- Signal Processing In/Out 86
- Dynamics 87
- Expander/Gate (Page 2) 88
- Compressor (Page 3) 88
- Equalizers and Filters 89
- Parametric EQ 90
- Aux Sends 91
- Aux Send Config 92
- Rotate (Rot8) 93
- Focus Front (FocF) 93
- Pan Graph 94
- SmartPan 94
- Channel Mixing Functions 95
- Mix Bus Routing 96
- Mix Minus (S5B Only) 97
- Mix Busses 99
- Group Busses 99
- Auxiliary Sends 99
- Solo Busses 99
- Bus Master Functions 100
- Aux, Grp, and Mix Masters 101
- Bus Lock 101
- Mon Lock 101
- Group and Aux Busses 103
- Configuring Aux Busses 103
- Aux Copy 104
- AuxtoFader 104
- Pre/Post 104
- Fader Copy 104
- Mix and Group Bus Setup 105
- Bus Processing 105
- Snapshots, and Linking 107
- 12:24.03.10 109
- 00:16.12.04 109
- Transpor t Controls 110
- Locate Registers 110
- Feet + Frames Offset 111
- Film Type 111
- Locate Key 112
- Return Key 112
- Title Start 112
- Cue Points 113
- Track Arming 114
- Record in Motion 115
- On Transport Stop 115
- Auto Punch: Locate 115
- Machines - Setup Panel 116
- Control Groups 117
- Create Control Group 118
- Assign Control Group to Strip 118
- Modify Control Group 118
- Name Control Group 118
- Clear Control Group 118
- Multi Format Masters 119
- Spill Area 120
- New Layout 122
- Recall a Layout 123
- Modify a Layout 123
- Rename a Layout 123
- Delete a Layout 123
- Snapshots 124
- Recall a Snapshot 125
- Scene Automation 126
- Scenes Panel 127
- Creating a Link 129
- Modifying and Clearing a Link 129
- Link Suspend 130
- Links and Automation 130
- Joystick Linking 130
- Link Mode 131
- Automation Interface 134
- Automation LEDs 135
- Select/Punch Keys 135
- Automation Modes 136
- Write Trim 137
- Summary of Automation Modes 137
- Top of Strip 138
- Select/Punch key 138
- Strip Mode/Strip Function 139
- Recording Automation 140
- Switches 141
- Playing Back Automation 142
- Modifying Automation 143
- Knob Glide Modes 144
- Switch Automation 145
- Fill Features 146
- AutoFill 147
- Fill Start 148
- 00:12:24:03 149
- 00:16:11:04 149
- Fill Region + Fill End 150
- Fill Region + Fill Start 150
- Fill to Punch 150
- Auto Join 152
- Punch Capture 152
- Bus Master Automation 153
- Mix Assigns 153
- Automation Management 154
- Prune Tree 155
- Merge Trim 155
- Clear Automation 155
- Mix Offset 155
- Save Mix 155
- Automation Conform 156
- Hot Keys 157
- Operation Types 157
- Time Display 157
- Entering Notes 158
- Storing and Recalling Notes 158
- Reel Balancing 159
- Input Types 162
- Output Types 163
- Logical Operators 164
- Event Configuration Display 164
- Event List 165
- Deleting Events 166
- GPI Examples 166
- Audio Follow Video 170
- Camera Inputs 170
- 1 2 3 4 170
- CM403 Film/Post Module 173
- The Film Panel 174
- The PEC/DIR Panel 175
- < Page > Keys 176
- Sum and Solo Keys 176
- Ext Record Key 176
- Record, Preview Keys 176
- Wave Key 176
- Speaker Re-Assign 177
- Solo Control 178
- CM403 TFT Display 179
- Dual Joystick Panel 180
- Punching In a Joystick 181
- Multi-Operator Console 182
- Solo-In-Place 183
- Hybrid CM403 Joysticks 185
- Environmental Compliance 187
- Safety Compliance 188
- Technical Support (USA) 190
- Product Information 190
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